Dear Readers,
Night and the City opens with narration over shots of London at night. “Night and the city,” says an American voice. “The night is tonight, tomorrow night, or any night. The city is London.̶...
In 1981, New York City was not the beacon of hope and American unity post-9/11 society has raised it up to be; rather, violent urban dramas such as Death Wish (1974) and Taxi Driver (1976) reflected t...
Odd Man Out exists somewhere between realism and expressionism, between an almost documentary level exploration of the perceived real world and an emphatic, stylized one. The 1947 release, one of Caro...
Steven Spielberg’s original can still convince audiences that dinosaurs are real.
In the last great film by Preston Sturges, the writer-director’s signature wit and slapstick come together with an hysterical sense of the macabre, forming a comedy far ahead of its time. And ye...
To achieve the opening shots of Aguirre, the Wrath of God, director Werner Herzog sought a location atop a mountain near Machu Picchu, in Peru. He led his cast and crew, some 450 people, along with a ...
Federico Fellini’s 8 ½ opens with a dream sequence that embodies the entire picture as few first scenes have. In the sequence, troubled filmmaker Guido Anselmi, a clear representation of Fellini himse...
Before Federico Fellini became the world-renowned fabulist of European cinema; before he was celebrated for autobiographical exhibitions into his fantasies, sexuality, religion, and memory; before his...
Born into a world of scents that today are unimaginable, Jean-Baptiste Grenouille enters this life when his mother delivers him from her womb onto the pile of refuse under her fish cart in the middle ...