Kyle Mooney’s nostalgia trip to 1999 is thin and overly referential.
A portrait of depression that introduces one of Mike Leigh’s most challenging main characters to date.
Richard Gere is terrific as a filmmaker reconciling with his choices during his last interview.
An urgently germane and bleak look at a rotten facet of American identity.
Despite its promising setup and lead performance, it underwhelms with its safe, conventional filmmaking.
Although armed with a great setup, its payoff is a disappointment.
Brian and Chris Hrapsky talk about the big movies this Thanksgiving weekend.
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