With the number of reviews and essays published on Deep Focus Review, a small library of resources are used. The texts include film histories, film theory in books and journals, and biographical texts. The resources also include a few online articles, disc extras, and other media. I have compiled a list of the most commonly used and referenced sources below.

If you have any questions regarding the bibliography, feel free to email me.

Brian Eggert
Deep Focus Review


  • Aisenberg, Joseph. Studies in the Horror Film: Brian De Palma’s Carrie. Centipede Press, 2011.
  • Albpert, Hollis. Fellini: A Life. Marlowe & Company, 1986.
  • Aldouby, Hava. Federico Fellini: Painting in Film, Painting on Film. University of Toronto Press, 2010.
  • Allen, Jerry C. Conrad Veidt: From Caligari to Casablanca. Boxwood Press, 1987.
  • Allen, Woody; Björkman, Stig. Woody Allen On Woody Allen. Grove Press, 2005.
  • Anderegg, Michael. David Lean. Twayne, 1984.
  • Anderson, John. Edward Yang. University of Illinois Press, 2005.
  • Anderson, Lindsay. About John Ford. Plexus Publishing, 1999.
  • Andrew, Dudley and Carole Cavanaugh. Sansho Dayu. British Film Insititute, 2009.
  • Andrews, Nigel. Nigel Andrews on Jaws. Bloomsbury Publishing, 1999.
  • Armes, Roy. Third World Film Making and the West. University of California Press, 1987.
  • Armstrong, Stephen B. Pictures About Extremes: The Films of John Frankenheimer. McFarland & Company, Inc: 2008.
  • Auzenne, Valliere Richard. The Visualization Quest: A History of Computer Animation. Fairleigh Dickinson University Press, 1994.
  • Bainbridge, John. Garbo. Doubleday & Co., 1955.
  • Basinger, Jeanine. Anthony Mann. New and Expanted Edition. Wesleyan, 2007.
  • Baxter, John. George Lucas: A Biography. HarperCollins Entertainment, 1999.
  • Baz Allen, William Rodney, ed. The Coen Brothers: Interviews. University Press of Mississippi, 2006.
  • Bazin, André and Bert Cardullo. André Bazin and Italian Neorealism. The Continuum International Publishing Group, 2011.
  • Bazin, André; Truffaut, Francois. Jean Renoir. Simon and Schuster, 1973.
  • Bazin, André. Orson Welles: A Critical View. Foreword by François Truffaut; profile by Jean Cocteau; translated from the French by Jonathan Rosenbaum. Harper & Row, 1978.
  • Beach, Christopher. The Films of Hal Ashby. Wayne State University Press, 2009.
  • Beard, William. The Artist as Monster: The Cinema of David Cronenberg. University of Toronto Press, c2006.
  • Bellos, David. Jacques Tati: His Life and Art. Harvill, 1999.
  • Behlmer, Rudy, editor. Memo from David O. Selznick. Modern Library, 2000.
  • Behlmer, Rudy, editor. W.S. Van Dyke’s Journal. The Scarecrow Press, 1996.
  • Behlmer, Rudy. America’s Favorite Movies: Behind the Scenes. Samuel French, 1990.
  • Benamou, Catherine L. It’s all true: Orson Welles’s Pan-American Odyssey. University of California Press, 2007.
  • Bergan, Ronald. Jean Renoir: Projections of Paradise. The Overlook Press, 1992.
  • Bergan, Ronald. The Coen Brothers. Thunder’s Mouth Press, 2000.
  • Bergman, Ingmar; Tate, Joan. The Magic Lantern: An Autobiography. University Of Chicago Press, 2007.
  • Bergman, Ingmar. Images: My Life In Film. Foreword by Woody Allen. Arcade Publishing, 1995.
  • Bergreen, Laurence. James Agee: A Life. Dutton, 1984.
  • Bernstein, Matthew; Studlar, Gaylyn. John Ford Made Westerns: Filming the Legend in the Sound Era. Indiana University Press, 2001.
  • Besas, Peter. Behind the Spanish Lens: Spanish Cinema under Fascism and Democracy. Arden Press, 1985.
  • Beugnet, Martine. Claire Denis (French Film Directors). Manchester University Press, 2004.
  • Billson, Anne. The Thing. British Film Institute Modern Classics, BFI Publishing, 1997.
  • Biskind, Peter. Easy Riders, Raging Bulls. Simon and Schuster, 1998.
  • Blackford, James. “Dressed to Kill and Blow Out.” Sight and Sound 23, no. 9, September 2013: 96.
  • Blake, Richard A. Woody Allen: Profane and Sacred. Scarecrow Press, 1995.
  • Bliss, Michael, and Christina Banks. What Goes Around Comes Around: The Films of Jonathan Demme. Southern Illinois University Press, 1996.
  • Bogdanovich, Peter. Fritz Lang in America. Studio Vista, 1967.
  • Bogdonovich, Peter. John Ford (Revised and Enlarged edition). University of California Press, 1978.
  • Bogdanovich, Peter. Who the Devil Made It: Conversations with Legendary Film Directors. Alfred A. Knopf, 1997.
  • Bondanella, Peter. The Films of Federico Fellini. Cambridge: Cambridge University Press, 2002.
  • Bondanella, Peter. A History of Italian Cinema. The Continuum International Publishing Group, 2009.
  • Bordwell, David, et al. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. Columbia University Press, 1985.
  • Bordwell, David. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Harvard University Press, 1989.
  • Bordwell, David. On the History of Film Style. Harvard University Press, 1997.
  • Bordwell, David. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Harvard University Press, 2000.
  • Bordwell, David. Poetics of Cinema. Routledge, 2007.
  • Bordwell, David. Reinventing Hollywood. University of Chicago Press, 2019.
  • Bordwell, David. The Way Hollywood Tells It: Story and Style in Modern Movies. The University of California Press, 2006.
  • Bould, Mark. Solaris. BFI Film Classics. Palgrave Macmillan, 2014.
  • Boulenger, Gilles. John Carpenter: The Prince of Darkness. H.O.M. Vision, 2002.
  • Braudy, Leo; Cohen, Marshall. Film Theory and Criticism: Introductory Readings. Oxford University Press, 1985.
  • Bresson, Robert. Notes on the Cinematograph. New York Review Books, 2016.
  • Bresson, Mylene, editor. Bresson on Bresson: Interviews, 1943-1983. New York Review Books, 2016.
  • Bricknell, Timothy, editor. Minghella on Minghella. Faber & Faber, 2005.
  • Brideson, Cynthia and Sara Brideson. He’s Got Rhythm: The Life and Career of Gene Kelly. The University Press of Kentucky, 2017.
  • Brownlow, Kevin. David Lean: A Biography. St. Martin’s, 1997.
  • Browning, Mark. David Cronenberg: Author or Filmmaker? Intellect, Ltd., 2007.
  • Browning, Mark. David Fincher: Films that Scar. Praeger, 2010.
  • Brunette, Peter. Wong Kar-wai. University of Illinois Press, 2005.
  • Bryant, Roger. William Powell: The Life and Films. McFarland & Company, 2006.
  • Buscombe, Edward. Unforgiven (BFI Modern Classics). British Film Institute, 2004.
  • Callow, Simon. Charles Laughton: A Difficult Actor.Methuen, 1987.
  • Callow, Simon. The Night of the Hunter. BFI Film Classics. BFI, 2000.
  • Campbell, Bruce. If Chins Could Kill: Confessions of a B Movie Actor. LA Weekly Books for St. Martin’s Press, 2001
  • Campbell, Bruce. Make love!—the Bruce Campbell Way. Thomas Dunne Books, 2005.
  • Camper, Fred. “The Films of Douglas Sirk.” Screen, Summer ’71, Vol. 12 Issue 2, p44-62.
  • Carné, Marcel. La Vie à belles dents. Belfond, 1989.
  • Carroll, Noel. The Philosophy of Horror. Routledge, 1990.
  • Cavell, Stanley. Pursuits of Happiness: The Hollywood Comedy of Remarriage. Harvard University Press, 1984.
  • Chaplin, Charles. My Autobiography. Simon & Schuster, 1964.
  • Chion, Michel. The Films of Jacques Tati. Guernica, 1997.
  • Chion, Michel. Kubrick’s Cinema Odyssey. British Film Institute, 2001.
  • Chion, Michael. The Thin Red Line. Trans. Trista Selous. British Film Institute, 2004.
  • Chow, Rey. Primitive Passions: Visuality, Sexuality, Ethnography and Contemporary Chinese Cinema. Columbia University Press, 1995.
  • Christie, Ian. Arrows of Desire: The Films of Michael Powell and Emeric Pressburger. Faber & Faber, 1994.
  • Christie, Ian. A Matter of Life and Death. (BFI Modern Classics). British Film Institute, 2000.
  • Christie, Ian. Powell, Pressburger and Others. BFI (British Film Institute), 1978.
  • Christie, Ian and Moor, Andrew, eds. The Cinema of Michael Powell. BFI (British Film Institute), 2005.
  • Christie, Ian; Thompson, David, editor. Scorsese on Scorsese. Revised Edition. Faber, 2003.
  • Clark, Ashley. Facing Blackness: Media and Minstrelsy in Spike Lee’s Bamboozled. The Critical Press, 2015.
  • Conrich, Ian et al., editors. The Cinema of John Carpenter: The Technique of Terror. Columbia University Press, 2004.
  • Cook, David. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979. University of California Press, 2002.
  • Cornelius, Sheila, with Ian Haydn Smith. New Chinese Cinema: Challenging Representations. Wallflower Press, 2002.
  • Couchman, Jeffrey. The Night of the Hunter: A Biography of a Film. Northwestern University Press, 2009.
  • Cowie, Peter. Ingmar Bergman: A Critical Biography. Scribner, c1982.
  • Cowie, Peter. John Ford and the American West. H.N. Abrams, 2004.
  • Cronenberg on Cronenberg. Edited by Chris Rodley. Faber and Faber, 1992.
  • Cronin, Paul. Herzog on Herzog. Faber and Faber Ltd., 2002.
  • Cumbow, Robert C. Order in the Universe: The Film of John Carpenter. Scarecrow Press, Inc.; Second Edition, 2000.
  • Cunneen, Joseph. Robert Bresson: A Spiritual Style in Film. Continuum, 2003.
  • Curtis, James. Between Flops: A Biography of Preston Sturges. Harcourt, Brace, Jovanovich, c1982.
  • David Fincher: Interviews. Conversations with Filmmakers Series. Laurence F. Knapp, editor. University Press of Mississippi, 2014.
  • Dawson, Nick. Being Hal Ashby: Life of a Hollywood Rebel. University Press of Kentucky, 2009.
  • Dawson, Nick (editor). Hal Ashby: Interviews (Conversations with Filmmakers Series). University Press of Mississippi, 2010.
  • Denning, Michael. The Cultural Front: The Laboring of American Culture in the Twentieth Century. Verso, 1998.
  • Diawara, Manthia. African Cinema: Politics and Culture. Indiana University Press, 1992.
  • Dick, Bernard F. The Star-Spangled Screen: The American World War II Film. The UniversityPress of Kentucky, 1985.
  • Dombrowski, Lisa. The Films of Samuel Fuller: If You Die, I’ll Kill You! Wesleyan University Press, 2008.
  • Dondey, Marc. Jacques Tati. Ramsay, 1987.
  • Doom, Ryan P. The Brothers Coen: Unique Characters of Violence. ABC-CLIO, Inc., 2009.
  • Dower, John W. Embracing Defeat: Japan in the Wake of World War II. Norton & Company, 1999.
  • Drazin, Charles. In Search of The Third Man. Limelight Editions (Proscenium), 2000.
  • Drazin, Charles. Korda: Britain’s Only Movie Mogul. Sidgwick & Jackson, 2002.
  • Desser, David. Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema. Indiana University Press, 1988.
  • Durgnat, Raymond. A Mirror for England: British Movies from Austerity to Affluence. Praeger, 1971.
  • Ebert, Roger. “Bamboozled Movie Review & Film Summary.RogerEbert.com. October 6, 2000.
  • Ebert, Roger. “Great Movies: Crimes and Misdemeanors.RogerEbert.com. September 11, 2005.
  • Ebert, Rogert. “La Strada Movie Review & Film Summary.RogerEbert.com. April 1, 1994.
  • Eckstein, Arthur; Lehman, Peter, editors. The Searchers: Essays and Reflections on John Ford’s Classic Western. Wayne State University Press, 2004.
  • Eisenschitz, Bernard. Nicholas Ray: An American Journey. University of Minnesota Press, 2011.
  • Elsaesser, Thomas. Metropolis. (BFI Film Classics). 2nd Edition. British Film Institute, 2012.
  • Erb, Cynthia Marie. Tracking King Kong: a Hollywood Icon in World Culture. Wayne State University Press, 2009.
  • Evans, Peter William. Carol Reed. British Film Makers. Manchester University Press, 2005.
  • Eyman, Scott. Ernst Lubitsch: Laughter in Paradise. Simon & Schuster, c1993.
  • Eyman, Scott. Print the Legend: The Life and Times of John Ford. Simon & Schuster, c1999.
  • Feineman, Neil. Nicolas Roeg. Twayne, 1978.
  • Forbes, Jill. Les enfants du paradis. (BFI Modern Classics). British Film Institute, 1997.
  • Fox, Julian. Woody: Movies from Manhattan. Overlook Press, 1996.
  • Flory, Dan. “Bamboozled: Philosophy through Blackface.” The Philosophy of Spike Lee. Ed. Mark T. Conard. The University Press of Kentucky, 2011.
  • Flynn, Errol. My Wicked Wicked Ways: The Autobiography of Errol Flynn. Third Woman Press, 1987.
  • Francisco, Charles. Gentleman: The William Powell Story. St. Martin’s Press, 1985.
  • Frayling, Christopher. Sergio Leone: Something to Do with Death. Faber & Faber, 2000.
  • Frayling, Christopher. Spaghetti Westerns: Cowboys and Europeans from Karl May to Sergio Leone. Routledge & Kegan Paul, 1981.
  • Friedman, Lester D. Citizen Spielberg. University of Illinois Press, 2006.
  • Fuller, Samuel; Fuller, Christa Lang; Rudes, Jerome Henry. A Third Face: My Tale of Writing, Fighting and Filmmaking. Knopf, 2002.
  • Fusco, Katherine, and Nicole Seymour. Kelly Reichardt. Contemporary Film Directors. University of Illinois Press, 2017.
  • Gadjigo, Samba. Ousmane Sembène: The Making of a Militant Artist. Indiana University Press, 2010.
  • Galbraith IV, Stuart. The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune. Faber and Faber, 2002.
  • Gateward, Frances, editor. Zhang Yimou: Interviews. University Press of Mississippi, 2001.
  • Giles, Jane. The Crying Game. British Film Institute, 1997.
  • Gilliam, Terry. Edited by Ian Christie. Gilliam on Gilliam. Faber and Faber, c1999.
  • Gilmore, James N., Sidney Gottlieb, editors. Orson Welles in Focus: Texts and Contexts. Indiana University Press, 2018.
  • Goldner, Orville and George E. Turner. The Making of King Kong: The Story Behind a Film Classic. A.S. Barnes, 1975.
  • Goodrich, David L. The Real Nick and Nora. Southern Illinois University Press, 2001.
  • Goodwin, James. Akira Kurosawa and Intertextual Cinema. Johns Hopkins University Press, c1994.
  • Gordon, Robert S. C. Bicycle Thieves. British Film Institute Classics, BFI Publishing, 2008.
  • Gottlieb, Carl. The Jaws Log. Newmarket Press, 2005.
  • Gray, Beverly. Ron Howard: From Mayberry to the Moon…and Beyond. Rutledge Hill Press, 2003.
  • Gutiérrez-Albilla, Julián Daniel. Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar. Edinburgh University Press, 2017.
  • Gwendolyn, Audrey, editor. Identity and Memory: The Films of Chantal Akerman. Southern Illinois University Press, 2003.
  • Haines, Richard W. Technicolor Movies: The History of Dye Transfer Printing. McFarland & Company, 2003.
  • Hall, E. Dawn. ReFocus: The Films of Kelly Reichardt. Edinburgh University Press, 2018.
  • Hall, Sheldon; Neale, Stephen. Epics, Spectacles, and Blockbusters: A Hollywood History. Detroit: Wayne State University Press, 2010.
  • Halliday, Jon. Sirk on Sirk. Faber and Faber, 1997.
  • Hamburg, Eric. JFK, Nixon, Oliver Stone and Me: An Idealist’s Journey from Capitol Hill to Hollywood Hell. PublicAffairs, 2002.
  • Haraway, Donna. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” Simians, Cyborgs and Women: The Reinvention of Nature. Rutledge, 1991.
  • Harmetz, Aljean. Round Up the Usual Suspects: The Making of “Casablanca”. Orion Publishing Co, 1993.
  • Harvey, James. Romantic Comedy in Hollywood, from Lubitsch to Sturges. Knopf, 1987.
  • Haskell, Molly. Frankly, My Dear: ‘Gone with the Wind’ Revisited. Yale University Press, 2010.
  • Haskell, Molly. From Reverence to Rape. Baltimore, Md.: Penguin Books, 1974.
  • Heath, Stephen. “Jaws, Ideology, and Film Theory”. In Nichols, Bill. Movies and Methods: An Anthology, Volume II. University of California Press, 1985.
  • Herzog, Werner. Fitzcarraldo: The Original Story. Fjord Pr; 1st Edition, 1983.
  • Herzog, Werner. Conquest of the Useless: Reflections from the Making of ‘Fitzcarraldo’. Ecco, Reprint Edition, 2010.
  • Hess, Earl J. and Pratibha A. Dabholkar. Singin’ in the Rain: The Making of an American Masterpiece.  University Press of Kansas, 2009.
  • Heylin, Clinton. Despite the System: Orson Welles Versus the Hollywood Studios. Chicago Review Press, 2005.
  • Hill, Derek. Charlie Kaufman and Hollywood’s Merry Band of Pranksters, Fabulists and Dreamers. Kamera, 2008.
  • Higham, Charles. Charles Laughton: An Intimate Biography. Doubleday, 1976.
  • Hirsch, Foster. Otto Preminger: The Man Who Would be King. Alfred A. Knopf, 2007.
  • Hirsch, Joshua. Afterimage: Film, Trauma And The Holocaust. Temple University Press, 2004.
  • Hopp, Glen. Billy Wilder: The Complete Films, The Cinema of Wit. Taschen, 2003.
  • Horton, Robert, editor. Billy Wilder: Interviews. Univ. Press of Mississippi, 2001.
  • Island on the Edge: Taiwan New Cinema and After. Edited by Chris Berry and Feii Lu. Hong Kong University Press, 2005.
  • Izod, John. The Films of Nicolas Roeg. Macmillian, 1992.
  • Jackson, Julian. La grande illusion. (BFI Modern Classics). British Film Institute, 2009.
  • James, Nick. Heat (BFI Modern Classics). British Film Institute, 2002.
  • Jewell, Richard B. The Golden Age of Cinema: Hollywood 1925-1945. Blackwell Publishing, 2007.
  • Johnson, Diane. Dashiell Hammett: A Life. Random House, 1983.
  • Jones, Brian Jay. George Lucas: A Life. Little, Brown and Company, 2016.
  • Jones, Ann. Women Who Kill. Fawcett Columbine, 1981.
  • Jones, Preston Neal. Heaven and Hell to Play With: The Filming of ‘The Night of the Hunter’. Limelight, 2004.
  • Kagan, Norman. The Cinema of Robert Zemeckis. Taylor Trade Publishing, 2003.
  • Kalmus, Herbert. “Technicolor Adventures in Cinemaland,” Journal of the Society of Motion Picture Engineers, December 1938.
  • Kapsis, Robert E. (Editor). Jonathan Demme: Interviews. Conversations with Filmmakers Series. University Press of Mississippi, 2008.
  • Keesey, Douglas. Brian De Palma’s Split-Screen. The University Press of Mississippi, 2015.
  • Kermode, Mark. The Exorcist (BFI Modern Classics). British Film Institute; 2nd Revised edition, 2008.
  • Kezich, Tullio. Federico Fellini: His Life and Films. Faber and Faber, Inc., 2002.
  • Kezich, Tullio. Federico Fellini: The Films. Rizzoli, 1st Edition, 2010.
  • Kitses, Jim. Horizons West: Directing the Western from John Ford to Clint Eastwood. British Film Institute; 2Rev Ed edition, 2008.
  • Klinger, Barbara. Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk. Illustrated Edition. Bloomington: Indiana University Press, 1994.
  • Koppes, Clayton R. and Gregory D. Black. Hollywood Goes to War: How Politics, Profits and Propaganda Shaped World War II Movies. University of California Press, 1987.
  • Kramer, Victor. James Agee. Twayne, 1975.
  • Kreimeier, Klaus. The Ufa Story: A History of Germany’s Greatest Film Company. University of California Press, 1999.
  • Krohn, Bill. Hitchcock At Work. Phaidon, 2000.
  • Kurosawa, Akira. Something Like An Autobiography. Knopf: distributed by Random House, 1982.
  • LaRocca, David. The Philosophy of Charlie Kaufman. The University of Kentucky Press, 2011.
  • Larson, Wendy. Zhang Yimou: Globalization and the Subject of Culture. Cambria Press, 2017.
  • Lasseter, John; Daly, Steve. Toy Story: The Art and Making of the Animated Film. Hyperion, 1995.
  • Lax, Eric. Conversations with Woody Allen. Alfred A. Knopf, 2007.
  • Lax, Eric. Woody Allen: A Biography. Alfred A. Knopf, 1991.
  • Leaming, Barbara. Polanski, The Filmmaker as Voyeur: A Biography. Simon & Schuster, 1981.
  • Le Fanu, Mark. Mizoguchi and Japan. British Film Institute, 2005.
  • Lewis, Roger. The Life and Death of Peter Sellers. Applause Books, 2000.
  • Liandrat-Guigues, Suzanne. Red River (BFI Modern Classics). British Film Institute, 2000.
  • LoBrutto, Vincent. Martin Scorsese: A Biography. Greenwood Publishing Group, Inc., 2008.
  • LoBrutto, Vincent. Stanley Kubrick: A Biography. D.I. Fine Books, 1997.
  • Lowenstein, Adam. Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film. Columbia University Press, 2005.
  • Loy, Myrna (with James Kostsilibas-Davis). Being and Becoming. Alfred A. Knopf, 1987.
  • Mackendrick, Alexander. On Filmmaking: An Introduction to the Craft of the Director, ed. Paul Cronin. Faber and Faber, 2004.
  • Maillard, Florence. David Fincher: Masters of Cinema. Phaidon Press, 2015.
  • Marcovitz, Hal. Ron Howard. Chelsea House, 2002.
  • Marcus, Greil. The Manchurian Candidate. British Film Institute, 2002.
  • Margulies, Ivone. Nothing Happens: Chantal Akerman’s Hyperrealist Everyday. Duke University Press, 1996.
  • Mathews, Jack. The Battle of Brazil: The Nightmare Fantasy Making of the Movie. Distributed by Hal Leonard Corp., 1998.
  • Mathijs, Ernest, and Xavier Mendik, editors. The Cult Film Reader. Open University Press, 2008.
  • Maxford, Howard. David Lean. Batsford, 2000.
  • Mayne, Judith. Claire Denis. University of Illinois Press, 2005.
  • McBride, Joseph. Orson Welles. Da Capo Press, 1996.
  • McBride, Joseph. Searching for John Ford: A Life. St. Martin’s Griffin, 2003.
  • McBride, Joseph. Steven Spielberg (Third Edition). Faber and Faber, 2012.
  • McCabe, John. Cagney (Paperback ed.). Aurum Press, 2002.
  • McCarthy, Todd. Howard Hawks: The Grey Fox of Hollywood. Grove Press, 2000.
  • McDonald, Keiko I. Reading a Japanese Film: Cinema in Context. University of Hawaii Press; annotated edition, 2006.
  • McDougal, Dennis. Five Easy Decades: How Jack Nicholson Became the Biggest Movie Star in Modern Times. Wiley; 1st edition, 2008.
  • McGilligan, Patrick. Alfred Hitchcock: A Life in Darkness and Light. Regan Books, c2003.
  • McGilligan, Patrick. Cagney: The Actor as Auteur. A. S. Barnes and Co., Inc., 1975.
  • McGilligan, Patrick. Clint: The Life and Legend. St. Martin’s Press, 1999.
  • McGilligan, Patrick. Fritz Lang: The Nature of the Beast. St. Martin’s Press, 1997.
  • McGilligan, Patrick. Nicholas Ray. HarperCollins, 2011.
  • McGilligan, Patrick, editor. Tender Comrades: The Backstory of the Hollywood Blacklist. St. Martin’s Press, 1997.
  • McGilligan, Patrick. Robert Altman: Jumping Off the Cliff. St. Martin’s Griffin, 1989.
  • McLaughlin, Robert L. and Sally E. Parry. We’ll Always Have the Movies: American Cinema During World War II. The University Press of Kentucky, 2006.
  • McNally, Karen, editor. Billy Wilder, Movie-Maker: Critical Essays on the Films. McFarland, 2010.
  • McNulty, Thomas. Errol Flynn: The Life and Career. McFarland, 2004.
  • Michaels, Lloyd. Terrence Malick. University of Illinois Press; 1st edition, 2008.
  • Miller, D.A. 8 ½. Palgrave Macmillan, 2008.
  • Modleski, Tania.The Women Who Knew Too Much: Hitchcock and Feminist Theory. Routledge, 2006.
  • Molt, Cynthia Marylee. Gone with the Wind on Film: A Complete Reference. McFarland & Company, 1990.
  • Moor, Andrew. Powell and Pressburger: A Cinema of Magic Spaces (Cinema and Society). I.B. Tauris; New York, NY: Distributed in the U.S. by Palgrave Macmillan, 2005.
  • Morton, Ray. Amadeus: Mozart on Film. Hal Leonard Corporation, 2001.
  • Morton, Ray. King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson. Applause Theatre & Cinema Books, 2005.
  • Mosley, Leonard. Zanuck: The Rise and Fall of Hollywood’s Last Tycoon. Little, Brown, c1984.
  • Muir, John Kenneth. The Films of John Carpenter. McFarland, 2000.
  • Muir, John Kenneth. The Unseen Force: The Films of Sam Raimi. Applause Theatre & Cinema Books, 2004.
  • Myrick, Susan. White Columns in Hollywood: Reports from the GWTW Sets. Mercer University Press, 1982.
  • Naremore, James. Sweet Smell of Success. British Film Institute, 2010.
  • Nasta, Dominique. Contemporary Romanian Cinema: The History of an Unexpected Miracle. Columbia University Press, 2013.
  • Nayman, Adam. The Coen Brothers: This Book Really Ties the Films Together. Harry N. Abrams, 2018.
  • Nelson, Thomas Allen. Kubrick, Inside a Film Artist’s Maze. New and expanded ed. Indiana University Press, 2000.
  • Nupert, Richard. A History of the French New Wave. Second Edition. The University of Wisconsin Press, 2007.
  • O’Connor, Garry. Alec Guinness: Master of Disguise. Hodder & Storighton, 1994.
  • Okuda, Ted; Maska, David. Charlie Chaplin at Keystone and Essanay: Dawn of the Tramp. iUniverse, 2005.
  • Page, Edwin. Ordinary Heroes: The Films of Danny Boyle. Empiricus Books, 2010.
  • Palmer, R. Barton. Joel and Ethan Coen. University of Illinois Press, 2004.
  • Paris, Barry. Garbo. University of Minnesota Press, 2002.
  • Parker, John. Polanski. London, 1994.
  • Patterson, Hannah, editor. The Cinema of Terrence Malick: Poetic Visions of America. Second Edition.  Wallflower Press; 2nd edition, 2007.
  • Peretz, Eyal. Becoming Visionary: Brian De Palma’s Cinematic Education of the Senses. Stanford University Press, 2008.
  • Perry, Danny. Cult Movies: The Classics, the Sleepers, the Weird, and the Wonderful. Delta; 1st edition, 1981.
  • Perry, Danny. Cult Movies 2: Fifty more of the Classics, the Sleepers, the Weird, and the Wonderful. Dell Trade Paperback; Subsequent edition, 1983.
  • Perry, Danny. Cult Movies 3: 50 More of the Classics, the Sleepers, the Weird and the Wonderful. Fireside; 1st edition, 1988.
  • Petrie, Graham. Hollywood destinies: European directors in America, 1922-1931. Wayne State University Press, c2002.
  • Phillips, Gene D. Beyond the Epic: The Life & Films of David Lean. The University of Kentucky Press, 2006.
  • Phillips, Gene D. Some Like It Wilder: The Life and Controversial Films of Billy Wilder. University Press of Kentucky, 2009.
  • Philips, Gene D., editor. Stanley Kubrick: Interviews. University Press of Mississippi, 2001.
  • Pipolo, Tony. Robert Bresson: A Passion for Film. Oxford University Press, 2010.
  • Plantinga, Carl. “What a Documentary Is, After All.” The Journal of Aesthetics and Art Criticism, 4/1/2005, Vol. 63, Issue 2, p. 105-117.
  • Polanski, Roman. Roman by Polanski. Morrow, 1985.
  • Powell, Michael. A Life in Movies: An Autobiography. Knopf, 1987.
  • Powell, Michael. Million Dollar Movie. Heinemann, 1992.
  • Prager, Brad. The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth. Columbia University Press, 2007.
  • Pratley, Gerald. The Cinema of David Lean. Barnes, 1974.
  • Pratt, William. Scarlett Fever. Macmillan Publishing Co., 1977.
  • Price, David A. The Pixar Touch. Knopf, 2008.
  • Prince, Stephen. A Dream of Resistance: The Cinema of Kobayashi Masaki. Rutgers University Press, 2017.
  • Pulver, Andrew. Night and the City. (BFI Modern Classics). British Film Institute, London: 2010.
  • Quirke, Atonia. Jaws. British Film Institute Modern Classics, BFI Publishing, 2002.
  • Raphael, Amy. Danny Boyle: In His Own Words. Faber & Faber, 2010.
  • Rathgeb, Douglas L. The Making of Rebel Without a Cause. McFarland & Company, Inc., 2004.
  • Renoir, Jean. My Life and My Films. Da Capo Press, 1991.
  • Richards, Arlene Kramer, et al. (editors). Pedro Almodóvar: A Cinema of Desire, Passion and Compulsion. International Psychoanalytic Books, 2018.
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