Bertrand Bonello sets a frighteningly beautiful minefield for his audience to navigate.

Kurosawa’s late-career epic believes in the potential for imitation to have real meaning.

To watch the film is to experience how depressives register the pain of existence and may even look to The End with a blissful, gracious heart.

It reminds us that, at his core, James Cameron is an admirably earnest and warm storyteller.

James Cameron’s first cinematic foray into a career-long obsession with heavy tech, strong women, and relentless action.

Henry Hill may romanticize gangsterism, but Martin Scorsese does not.

Soderbergh’s commitment to realism and objectivity supplies Contagion with a warning nearly an entire decade before the arrival of COVID-19.

A story that shreds the emotions.

Is this the coolest film ever made?