Martin Scorsese’s costume drama takes place in a social structure as brutal and emotionally violent as those in his crime films.

Haneke portrays the tragedy when an individual or country cannot remember their uncomfortable national or personal history, or more accurately, do not want to.

Andrei Tarkovsky’s poetic science-fiction masterpiece about time, space, and their disjointed representation.

It’s no exaggeration to call this the greatest musical ever made.

Ang Lee’s drama is an ideal case of what it means to be an “indie.”

A strange, dark fairy tale, and also perhaps the most bizarre sequel ever made.

More than any filmmaker in history, producer Val Lewton knew that necessity breeds invention and less is more.

Fritz Lang shows us that the world is a punishing, unforgiving place, split between moral integrity and primitive violence.

Kenji Mizoguchi ruminates on the anguish and tragedy women face from entrenched traditions and cruel authorities.