When Max Renn stumbles across the pirated signal of an ultra-violent torture program called “Videodrome,” a friend warns him to beware. The show has a philosophy, and philosophies are dangerous. David...

On the surface, Sir David Lean’s The Bridge on the River Kwai is a superb epic filled with themes of bravery, valor, and idealism, all set against a grandiose backdrop of powerful images captured by v...

Spirituality has never had a more unlikely ally than William Friedkin’s enduring shocker The Exorcist. No matter the belief system of the viewer, the film’s haunting and ingeniously crafted verisimili...

A crystalline object fills the screen, surrounded by blackness and the mere impression of similar shapes around it. Reverberating layered strings carry a persistent banshee cry under the image, the sh...

Terrence Malick’s The Thin Red Line should not be seen as much as experienced through the perception of flowing images and existential questioning. Set in the Pacific during World War II, Malick’s wor...

Werner Herzog’s legendarily maligned production is a work of unthinkable ambition, obsession, and passion.

Sergio Leone’s Westerns radiate pure style. All other elements, including narrative, remain residuary by-products of that style. Informed by the Italian director’s obsession with aesthetics, his extra...

Michael Powell and Emeric Pressburger’s The Red Shoes spearheaded the notion that cinema and dance, through mediums of expression with varied modus operandi, could coalesce in a singular form. Through...

Colonel Blimp began in 1934 as the subject of reactionary British cartoonist David Low. Satirizing stuffy military and political forces from his era, Low’s cartoon ran in London’s Evening Standard, wh...