Blumhouse’s Insidious is grasping for dear life in the fifth installment, Insidious: The Red Door. Supposedly the final entry, the sequel marks the directorial debut of Patrick Wilson, who starred in ...

In Resurrection, Rebecca Hall gives the kind of performance that washes away all traces of disbelief. This twisted, Gothic tale sometimes strains credulity, especially after the credits roll and quest...

If you have limits, The Sadness will push them. If you think you can handle gory movies, it will make you question your resolve. And if you have a sensitive gag reflex, the film will test it. Streamin...

From the title sequence of Blue Steel, when the camera explores the vaginal cylinder chambers and phallic barrel of a handgun up close—in a similar tactic used by Julia Ducornau on automobiles in Tita...

Point Break is an action movie about characters who call each other “brah” without irony. They resolve their conflicts by surfing, skydiving without a parachute, or having a beachside brawl in the rai...

He was not afraid of anybody He was not afraid of anything But one morning, a nice morning He thought that he saw something But he said It’s nothing And he was right Mia Hansen-Løve’s One Fine Morning...

The first images in Top Gun, the 1986 hit about Naval aviators that made Tom Cruise a superstar, build a montage that has the energy of a soft drink commercial. Against the opening credits, a ground c...

Critics often praise horror movies for their ability to fold genuine emotions or social issues into frightful symbolism. If a movie’s masked killer, demonic spirit, or grotesque creature can represent...

In a familiar technique by Asghar Farhadi, the opening shots of The Past use loaded symbolism to establish the film’s thematic framework. Marie (Bérénice Bejo) picks up her husband Ahmad (Ali Mo...