In Woody Allen’s Crimes and Misdemeanors, a rabbi named Ben (Sam Waterston) suffers from an eye disease and may lose his sight. Ben’s ophthalmologist, Judah Rosenthal (Martin Landau), has a thriving a...

Few films are as funny and heartbreakingly true, but also as immeasurably creative as Annie Hall, Woody Allen’s sentiment on our pursuit and nostalgia for romantic relationships, however fleeting. Rel...

In Latin, the name Amadeus means “love of God” or, in other words, the object of God’s adoration. How appropriate then that Peter Shaffer chose this name as the title of his 1979 stage play about Wolf...

With masterful temperance and humanity, Clint Eastwood’s Unforgiven adopts a critical structure to reassess our perception of the American West, both in historical terms and in an autobiographical con...

Monsieur Hulot lives in the “old quarter” of Paris. Out his top floor view from his modest flat are markets and bistros teeming with activity and fascinating characters. A band of dogs scuttles about,...

François Truffaut’s The 400 Blows is a landmark of the French New Wave movement and, in broader terms, and perhaps more importantly, the emergence of auteur filmmaking. Truffaut’s film was among the f...

Anthony Minghella’s profoundly empathetic character study features Matt Damon’s best performance.

Jean Renoir’s sophisticated upstairs-downstairs comedy is a scathing critique of the upper class.

Tod Browning’s Freaks endures as one of the strangest curiosities ever put to celluloid, a film that tests our initial repulsion and challenges our basic human sympathies. Released by Metro-Goldwyn-Ma...